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With works by Lucas Blalock, Annette Kelm, Oskar Schmidt, Antje Peters

(...) Antje Peters’s works deliberately deconstruct the concept of perfect high-gloss photography: she paints expensive cosmetic products with felt-tip pens and tapes them into amorphous bundles with adhesive tape that she positions in the middle of the photograph, or she bunches colored pencils together with a Swatch wristwatch. A spilled glass of water, exotic fruits, perfume, marbles, currency, and CDs are arranged more chaotically than perfectly choreographed with soft candy, playing cards, and hair shampoo on a black background—she is always interested in the handicraft behind the perfect, smooth, and cold appearance of digital product photography. This artistic departure from known visual strategies in the advertising world is also being reflected in the presentation of her framed works at C/O Berlin, by consciously balancing between commercial window display and artistic installation (...).